Benjamin Van Esser - [IN]VISIBLE

[IN]VISIBLE finds its main inspiration in tinnitus, a condition I’m dealing with since 2009. Throughout the performance the different stages of this condition are translated into an electro-acoustic, multi-medial frame. From the disorientation that strikes at the initial ‘attack’ to experimental electroshock-therapy, the paralysing tranquillisers to the eventual cure, every aspect finds its own shape in an often hard, raw, minimal musical language where the use of glitches, artefacts, micro loops and other electronic adaptations play an important roll. It’s in this detachment of the classical, acoustical environment that [IN]VISIBLE finds a new reality in which this apparently virtual but very present condition finds its resolution.