Forest UnderSound is an invitation to consider the sentience of fungi. Sentience is the ability to perceive one’s environment, and experience sensations such as pain and suffering, or pleasure and comfort.
Sine is an interactive audiovisual lecture-performance illustrating, from the point of view of the physicist and the musician, the way in which electronic music producers envision sound and compose music.
Holly+ is Holly Herndon’s digital twin. She is using machine learning to create freely available online instruments and tools that encourage anyone to create art with her AI voice and image, as part of an expansive art and research project experimenting with the economy around her digital likeness
[IN]VISIBLE finds its main inspiration in tinnitus, a condition I’m dealing with since 2009. Throughout the performance the different stages of this condition are translated into an electro-acoustic, multi-medial frame.
A particular way in which a thing exists and appears, gradually developing, manifesting. The process of destruction of matter as the particular condition or state of someone or something alters. Destructuration, revolution of form.
Mikromedas AdS/CFT 001 is part of the multimedia project Mikromedas. Mikromedas is a data-driven music project in which the compositions produced use data stemming from space, deep space, and astrophysical simulation models.
RAINBOW questions identity and its multiple facets. Comparable to rainbows, formed by the reflection and dispersion of sunlight, we all are the result of an infinity of reflections of the encounters that accumulate throughout history. Our identity is plural, but we are constantly confronted with a simplifying categorisation.
The project l’m Humanity is based on the concept of “post-humanity music” and explores how new music will be transmitted, recorded, mutated, and diffused whether sung or played via word of mouth, as scores, through radio, records and CDs, or cloud computing
A sphere stands alone, suspended in the middle of a blacked-out room. When first entering, the eyes take a few moments to become accustomed to the darkness.
With his kinetic sound-sculpture *TORSO*, Peter Kutin explores how the movement and acceleration of sound-sources can be used from a musical or compositional perspective.
The Home is a headphone-based sound experience for one participant at a time in a physical installation—a custom-built house—situated in public space.
