Javascript must be enabled to continue!

Use Cases

 Page 2 of 2: << <
DRUMMING IS AN ELASTIC CONCEPT

His first full-length solo program, *Trommeln ist ein Dehnbarer Begriff* (*Drumming Is an Elastic Concept*), is an anthology of his intensive efforts and their realization under the direction (scenic design) of Ernst M. Binder.

CORPUS NIL

*Corpus Nil* is a music performance exploring hybrid forms of identity and musicianship. It does so through an intense and ritualistic interaction between an artificially intelligent musical instrument, a human body, and sound.

WIKI-PIANO.NET

*Wiki-Piano.Net* is a piece for piano and the internet community. It is composed by everyone. At every time. The composition is notated as an editable Wiki internet page and is subject to constant change and fluctuation. 

SUBNORMAL EUROPE

Subnormal Europe is a 60-minute music theater play co-created by Óscar Escudero & Belenish Moreno-Gil. 

CONVERGENCE (McCausland)

Convergence is a work composed for live augmented double-bass and electronics performer in third-order ambisonics, which explores performative agency between acoustic / electronic elements, the interaction of gesture and sound, and sound design in three-dimensional space.

Tales of Entropy

Tales of Entropy stages the irresistible beauty and the poetry of an organic compound changing its physical state in a thermal gradient, under polarized light.

RICERCAR

Ricercar is an interactive AI-based music composition system. The word Ricercar refers to a musical form of the Baroque and Renaissance and means “to search out” in its Italian origin.

CONVERGENCE (Schubert)

Convergence uses the concept of Artificial Intelligence to learn features of human musicians and then recreate new entities based on these recordings.

 Page 2 of 2: << <
Coordinating Institution:
Conservatorio di Musica Alessandro Scarlatti di Palermo
Address: Via Squarcialupo, 45, 90133 Palermo, IT
Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.